c major blues scale guitar tab

Read on for a complete blues scale guitar lesson… What you’ll learn. The blues scale, whether it’s major or minor, is one of the most widely used scales in modern music. These two scales provide years of study if you dig into their various fingerings, applications, and melodic variations. A classic blues lick; this minor blues scale phrase is a must know for any blues guitarist. The minor blues scale may be the first scale you learn, but your exploration of this scale shouldn’t stop there. To begin taking this scale onto the fretboard, here are the 5 major blues scale box patterns. Notice that the A in the first bar, last note, and the A in the second bar are on different strings. Each 7th chord gets its own major blues scale. If you only study one fingering system for minor blues, this is it. To begin, here are the five minor blues scale box patterns, the most common shapes for minor blues on guitar. As well, the major 3rd means that it’s less versatile than the minor blues scale, especially in the case of the 12-bar blues form. To learn more about blues soloing, check out 5 Blues Guitar Video Lesson Course. Four more blues scale fretboard patterns. When playing blues licks of any kind, the rhythm is as important, or more important, than the notes. Here, you have to play A major blues over the A7 chord, then D major blues over D7, and E major blues over E7. Here you repeat a hammer-pull off phrase to start the lick, followed by a descending group of notes to end the line. After you learn these minor blues box patterns, put on a backing track and use these scales to solo over chords and chord progressions in your studies. Matt Warnock Guitar Watch your timing on the first three beats, the triplets, as the slurs can cause you to play those notes unevenly. To learn more about blues soloing, check out 5 Must Know Blues Guitar Lessons Course. It is the most versatile of all the modern scales. Here are the 5 CAGED positions for the C Major blues scale (notes and tabs). Major and Minor Blues Scales – Guitar Tab and Essential Licks. Though this scale is relatively easy, and often left behind in place of more complex scales, over time the blues scale becomes like an old friend. All Rights Reserved. As was the case with minor blues box patterns, you’ll end up learning all 5 major shapes and then settle on 2 or 3 favorites. You’re now ready to move on to the major blues scale in your studies. You now combine the scale fingerings and lines from this lesson in a blues guitar solo. After you learn these minor blues box patterns, put on a backing track and use these scales to solo over chords and, Once you have these longer scales under your fingers, put on backing tracks and, © Before you begin taking this scale to the fretboard, you learn how to build and apply the major blues scale to your solos. In this major blues lick you play the same start to both bars, but end differently in bar 1 compared to bar 2. This is tough to do when first learning how to apply major blues scales to your solos. But, not to worry, with a little focused practice you can add these licks, and the major blues scale in general, to your solos with confidence. Again, learn these shapes in your technical studies and then take them to your lead guitar workout to cover them from a few angles in your routine. The major blues scale is built with the following interval pattern: Because this 6-note scale contains a major 3rd, it’s used to solo over dominant and major family chords. You can even use it over major family chords if you’re careful. Alongside the minor pentatonic scale, minor blues is often the first scale guitarists learn. It contains 12-bars and different chord progressions, but most contain I, IV, and V chords in various arrangements. The minor blues scale is built by adding a b5 interval to the minor pentatonic scale, forming the pattern 1-b3-4-b5-5-b7. ©2020 onlineguitarbooks.com. After you’ve worked out these shapes from a technical standpoint, make sure that you put on a backing track and apply these shapes to your improvisational studies as well. Here are four one-octave shapes that you can work out in your guitar practice routine. Then, if you want to play that lick over C7, you have to move it to a C major blues scale position. For example, in an A blues you can play the A minor blues scale over the entire song and it sounds great. The above scale can be extended into a 2 octave scale, as shown in the TAB below. This scale is used to solo over just about any chord or key including major keys, minor keys, major chords, minor chords, blues progressions, and more. If you dig this concept, explore it further in your own playing over various blues chord progressions. After you can play this solo from memory, write out a solo or two using the shapes and licks from this chapter. By working on small and large shapes, and using this scale to solo over a variety of chords, you always have a cool, bluesy sound at your fingertips. These smaller scales help you navigate fast-moving chord changes, where playing two-octave scales are too bulky to play. 2020. When building these shapes, you combine two one-octave shapes to form longer major blues fingerings. In those kinds of songs, larger scales will only hold you back, whereas smaller shapes are perfect to hit those chords in your lead guitar lines. Over time you find that some boxes will stay in your playing and others you won’t use as much. After you’ve worked these shapes from a technical standpoint, put on a backing track and apply these shapes to your improvisational studies. If you only learn one minor blues scale lick, this is it. Because of this, you want to work slowly when applying major blues scales to your solos. Apart from learning these licks, you also explore various ways to add repetition and development to your solos. This scale is used to solo over major, maj7, 7th chords and their related variations such as maj6, maj9, 9th, and 13th chords. These smaller shapes are essential for songs that are played at fast tempos. The note in red is the root note, it tells you the key for any scale shape you’re playing. Beyond studying box patterns, you can also work on one-octave minor blues scales to open up your fretboard. The main goal is to be able to create solos such as this one in the moment, but if that’s tough at this point, writing them out is fine. Outside of the 5 box patterns there are one octave, two-octave shifting, and 3-note-per-string shapes that guitarists also learn when studying the blues scale. You can do this by writing out the solo as you see below, or improvising it in the moment. Home; Music Theory; Diatonic. Work this line as written, then take this concept to your own solos as you repeat ideas to solidify them in your playing. Start by playing A major blues over A7, then the A minor blues scale over the other chords. 2 Octave C Major Scale Guitar TABs. Welcome Offer: 80% OFF on annual membership of Ultimate Guitar Pro Try Now They can be used in a plethora of soloing situations, and both bring a different melodic sound to your lead guitar playing. As you can see, both the major and minor blues scale run deeper than box pattern number 1. The major blues scale is built by adding a b3 interval to the major pentatonic scale, forming the pattern 1-2-b3-3-5-6. Minor and major blues scales are also the first scales that guitarists learn when exploring lead guitar. Again, the red note is the root, so it’ll tell you which key you’re in as you move this scale around the fretboard. ≡ Menu. This makes the minor blues scale one of the most versatile melodic devices at your disposal. For the major blues scale, the “blues note” is the b3, the note that gives the major pentatonic a bluesy flavor. You can now connect the one-octave shapes to form two-octave scales on the fretboard. The cool, swing, chicken picken’, jump blues sound that this scale produces makes a solid addition to the repertoire of any modern guitarist. It’s tough to get this scale into your lead playing, but it’s worth the work, as it gives you a new sound to use in your solos. For the minor blues scale, the “blues note” is the b5, the note that gives the minor pentatonic a bluesy flavor. Move on to the other chords when you’re comfortable with A7 until you can hit each chord with the related scale. This page includes notation/tabs and scale diagrams for each position along the fretboard. These are phrases created by guitarists using the major or minor blues scale that are then used in songwriting or soloing. You now learn a sample solo using the major blues over each chord in a blues progression. But, repeating ideas in your solos helps establish a connection with the listener, as well as develops a sense of melodic phrasing in your solos.

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