ksm137 vs sm81

I did a couple tours with the KSM137 on Hi-Hat and enjoyed it. The Shure KSM141 dual-pattern capacitor microphone. It is important not to leave the ring set midway between the two settings, as the results will be unpredictable and probably undesirable. Shure SM81 vs. KSM137; If this is your first visit, be sure to check out the FAQ by clicking the link above. Shure SM81-LC is a very neutral and transparent instrument condenser with electret bias. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). There are already numerous excellent mics of this type from the familiar big names in the microphone business, as well as a number of capable budget models using capsules from Russia and the Far East, but Shure have pitched their two new models at the serious end of the market and they are priced accordingly. First Look: Pro Tools | Carbon. Choosing A Vocal Microphone For The Stage. Get FREE 2-day shipping and free lifetime tech support with your order. The simpler of the two models is the KSM137, a fixed cardioid-pattern, 'end address' (which simply means you point the end at the instrument, not the side) back-electret capacitor microphone intended for both live and studio applications. Its low self-noise and extended frequency response make it ideal for recording instruments. Normally a dual-diaphragm arrangement is used for multi-pattern mics, but in this case the designers have developed a mechanical switching system that closes the rear porting vents of the mic, thus changing it from a pressure gradient (cardioid) mic to a pure pressure microphone (omni). Our Virginia-based experts can help you find the best gear. PreSonus StudioLive 32SC Series III Mixing Console. Still, marketing the mics isn't my problem, and I can tell you these are both good general-purpose microphones for those jobs best suited to a smaller-diaphragm model. Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. You may login with either your assigned username or your e-mail address. The Shure KSM141 dual-pattern capacitor microphone.While large-diaphragm mics get all the glamourous press, there are roles better suited to small-diaphragm models, such as the recording of many types of acoustic instrument. Chicago’s Navy Pier Overcomes RF Challenges with Shure ULX-D® Wireless, Download PDF Q. Actually in my opinion, I think there are many mics that outshine the SM81 in its price range and below. I’ve Tot received December’s magazine. Shure SM81-LC is a very neutral and transparent instrument condenser with electret bias. It is mainly used in studios for recording of guitars, pianos and cymbals but it’s also suitable for a wide range of different instruments. In fact looking at the spec sheet, it seems that everything other than the capsule switching system is identical to the KSM137, even the cardioid frequency response and the list of recommended applications. For more information, please visit shure.com/prop65 open_in_new. Is the SM57 really any good for snares? Why Are Some A-B Stereo Arrays Angled Outwards? Other than that, the low-frequency filter and pad are identical to those fitted to the KSM137 and the same 2.5-micron diaphragm material is also used. Versatile, flat-response condenser microphone in both acoustic and high volume performance applications. As standard, the mic (which measures just 20mm x 122mm) comes with a standmount and a protective plastic case. Premium bi-directional microphone featuring Roswellite® ribbon technology for world-class audio and performance. State of California regulation. Detailed policy information regarding customer service numbers, service modifications, and replacement parts. Complete product documentation, technical support materials, software and firmware, and other tools and resources for all Shure products, in one place. You may have to register before you can post: click the register link above to proceed. The views expressed are those of the contributors and not necessarily those of the publishers. A recessed, three-position low-cut switch is provided to counter proximity effect and to reduce the level of low-frequency noise where applicable, though the circuit also includes a subsonic filter to attenuate frequencies below 17Hz, usually caused by mechanical vibration. It features a gold-layered Mylar diaphragm, preamplifier for transparency, subsonic filter to stop low frequency rumble, and a pad for handling SPLs. The omni response, by contrast, has a slightly broader and higher presence peak and the low-frequency sensitivity actually rises by a couple of decibels down at 20Hz. Win! Other than the low-end roll-off, the response is essentially flat up to 20kHz and beyond, with the gentlest of presence humps centred around 8kHz. The Shure KSM137 fixed-cardioid capacitor microphone. WARNING: Cancer and Reproductive Harm www.P65warnings.ca.gov open_in_new. Although the frequency response starts to roll off below 200Hz, this is very gradual and is only 5dB down at 20Hz, which means there is plenty of sensitivity available for recording low-frequency sources. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. The KSM141 is similar in most respects, but is switchable between omni and cardioid polar patterns. Okay so I was going to use this along with a KSM137 for acoustic guitar. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. They have no really outstanding characteristics, but then that may be their outstanding characteristic! This is true of many omni models, but given that this one is relatively expensive I thought it might have fared slightly better in this respect. The rotating collar of the KSM141 allows you to switch between omni and cardioid polar patterns. I don't know how this is achieved internally, but the mechanism is activated by moving a knurled ring on the mic body between two positions. Although Shure have been making high-quality capacitor mics for a long time, there's a tendency for people to think of them only as the guys who make SM57s and SM58s! Recommended applications include the close-miking of acoustic and electric instruments, drum overheads, brass/woodwind, ensembles, and even bass instruments such as double bass and kick drum. All rights reserved. End-address condenser microphone with mechanically switching dual polar patterns. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Quality components have been chosen for the onboard circuitry, and all connectors, both internal and external, are gold plated to maintain low contact resistance. Joined May 31, 2008. Mastering Essentials Part 3 - How loud should I master? Cardioid instrument microphone delivers excellent sound isolation and superior transient response. The KSM141 is unusual in that it offers a choice of cardioid or omnidirectional polar patterns, yet it uses a single-diaphragm capsule. The Shure KSM137 fixed-cardioid capacitor microphone. Industry-standard mic renowned for sonic accuracy in stage and studio performances. Web site designed & maintained by PB Associates & SOS. How to use phase cancelation to your advantage. I checked the mics on a number of sources, including using a matched pair of KSM141s as drum overheads — a task they managed with no problems. The KSM137 features an extremely thin, low-mass gold-sputtered diaphragm (a mere 2.5 microns thick), which helps achieve a good transient response, and this is teamed with a low-noise, low-distortion Class-A transformerless preamp. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Its low self-noise and extended frequency response … Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The high degree of bass extension means that if you were to try to record vocals through them, you'd have to use a proper pop shield, but, although they work perfectly well with vocals, they're more likely to be used for instrument work. Used in omni mode, the KSM141 retains its natural, open tonality, but it suffers a noticeable amount of high-end loss when the sound source is behind the mic. The SM137 has an ultra-thin diaphragm for a frequency response that combines a smooth high-end with a tight, controlled low-end and a 15db pad for natural sound reproduction in both …

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