outside kick mic placement

Charlie will demonstrate how the placement of the outside kick mic affects your tone. Place a subkick (basically a speaker woofer with the lines reversed so that it takes in sound instead of producing it) on the front head to give more boom and low end. If it doesn’t sound good from the get go, it’s not going to sound good at the end. Remember, these are just guidelines, always defer to the judgment of your ears. Outside The Bass Drum. Still, this might be okay for many applications. You should only be using dynamic microphones inside the drum. This placement gives you a sharp attack from the beater hitting the head. Place it six inches to 2 feet from the drum head, moving it according to the amount of bass you want. Outside Mic - Large Diaphragm Condenser/Ribbon The second mic in this set-up goes on the outside of the drum pointed towards the resonant head. The V KICK’s extremely low profile allows for effortless placement outside or inside a kick drum, and its integrated swivel joint allows for easy positioning inside (through the drum head port) or outside the kick drum. Recording a Kick Drum: Tips and Mic Placement Using a Blanket Blanket around the kick drum, w/ a condenser microphone on the outside, and dynamic on the inside. For a super-low-end kick drum sound the best placement is at the hole, just on the outer side of the front head. Outside The Bass Drum. If you want less boom, offset the mic a little and point it about two-thirds of the way toward the center. For kick I use the D6 parallel to the drum hole. Angle the panels out so that, where they are farthest from the drum set, the distance between them is just under 4 feet. Inside Kick Mic… If you want a more open, boomy sound (and you have the drum’s pitch set fairly high), point the mic directly at the center of the head. If no hole, I position the mic about two fingers from the resonant head, directly across from the beater. 135). This causes air to constantly move the diaphragm of the outside microphone. Make sure the phase is coherent and blend the mics to taste in the mix. Place the mic 2 to 3 inches away from the inside head and a couple of inches off center. With an unperforated resonant head in place you tend to get the most resonant sound, and if you mic at the usual frontal position you won't get any real beater definition (because the mic can't see the kick pedal) and you'll pick up quite a bit of spill from the rest of the kit. A pillow or packing blanket will work fine. The resonant head generates the pitch and tone of the drum and the impact of the beater makes it vibrate and move like a speaker. Other mics worth considering are; an SM57 which again is extremely versatile but won’t have the low end response of the D112, an RE20 which is considerably more expensive or perhaps a specialized kick drum mic like the Shure beta 52. This will give you more boom from the drum. This placement gives you a sharp attack from the beater hitting the head. Some people choose to let the pillow or blanket touch the inside head. You can place a mic in several places to get a good kick-drum sound. If possible, use a mic specifically for kick drum — try an AKG D112, a Shure Beta52, or a mic that has a frequency response which favors bass tones, such as an Electro-Voice RE20, or a Sennheiser MD421. The kick drum is the heart of a song, it’s pulse drives us to move. Near the outside head (right illustration): If you have both heads on the drum, you can place the mic a few inches from the outside head. Have a hole in the front head that’s big enough for a mic to fit in. Microphone Placement for Kick (Bass) Drum, Popular Home Music Recording Software Programs, The Right Computer Setup for Home Recording. This causes air to constantly move the diaphragm of the outside microphone. Some prefer to keep it a couple of inches away from the inside head, but it might be beneficial to let it touch the outside head. Instead, get things right at the source. This placement gives you less of the attack of the beater striking the head and more of the body of the drum’s sound. Then lay the other two panels (reflective surface facing down) across the side panels to create a tunnel. That said, you can place your mic in several ways: Near the inside head (left illustration): If you take off the outside head or cut a hole in it, you can put the mic inside the drum. With a FET47 I will occasionally use a pop filter. By using compression we can decide which part of the kick we accent. A key to drum mic'ing is using microphone placement before using EQ to get the best sound to start. Place the mic halfway into the tunnel, facing the center of the drum. (This is especially common if you have a large bass drum.) Use a large diaphragm condenser as an outside kick mic. Create a tunnel with acoustic panels. Whether you put an E-V RE20 , AKG D112 , or Shure Beta 52A on the outside of the kick, you’ll find lots of variability in the sound depending on where on the head you position it and the distance away from the head. So it was this weekend when I was mic'ing a kick drum without the hole in the resonance head. For outside mic, I usually have the drummer kick the bass drum and put my hand out, and when I can no longer feel the movement of air on my palm that's where I put the microphone, distance wise. This will give the super low, 808 sound. For more boom and bass, move the mic farther from the beater. Inside the drum at a distance of 2–3″, pointed at the spot where the beater makes contact with the batter head (see Fig.

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