All rights reserved. Using a flashlight to find the speaker dome R-121 on amp R-121 on amp – Melissa Etheridge session It’s good to know the above position and sound before moving on. When I record guitars, I usually start with a SM57 pointed on-axis about one or two fingers width off the grill of the cab with the mic aimed just outside of the voice coil dust cover. Avoid excessive handling to minimize pickup of mechanical noise and vibration. This tends to sound brighter. Most recently, Joel released his first solo record, Fight Years, a self-produced effort recorded mainly in his home studio (Flame Under Heel Studios) and released in June 2010. Keep the distance between microphones at least three times the distance from each microphone to its source. 15 to 30 cm (6 to 12 in.) To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance. Mexican 57s are a little narly compared to earlier models. When it comes to recording electric guitar, Jay Graydon's views on mic choice are pretty clear: "I have tried so many dynamic mics over the years, and always come back to the Shure SM57." Joel Kosche is the lead guitarist for the chart-topping band Collective Soul. 2.5 to 7.5 cm (1 to 3 in.) You will receive a verification email shortly. If you can't get tone with a 57 then something is wrong with the way it sounds coming out of the amp, the mic placement or the gear. I don't hate the mic, and I'll pull it out occasionally. 10 Ways to Mic A Guitar Amp with Brian Deck | Reverb Recording Tricks Simple close-micing involves doing this on just one speaker and running the mic into your board or recording setup. but at the same time there is a greater chance of proximity effect. Conversely, as you move the mic toward the outside edge, it will sound darker and bassier. Microphone Clip for SM58, SM57, SM87A, BETA87A, BETA87C, PGA57, PGA58, PGA48, PGA81, Gray Locking Foam Windscreen for 545 Series, SM57, Over/Under Dual Mount for two microphones: SM57, BETA57A or 545 Series microphones, 25 foot (7.5m) Triple-Flex® Microphone XLR Cable with Switchcraft connectors, 25 foot (7.5m) Triple-Flex Microphone XLR Cable with chrome connectors. above drum heads. Keep in mind that microphone technique is largely a matter of personal taste; there is no one "correct" microphone position. Outside of his duties with Collective Soul, Joel has appeared on numerous recordings, including the epic "Shadowman" from Kansas lead singer Steve Walsh. Visit our corporate site. He's not alone: this robust, cardioid England and Wales company registration number 2008885. A 57 usually has to go close to the edge. Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3. There was a problem. It has an extremely effective cardioid pickup pattern which isolates the main sound source while minimizing background noise. Seems to be the xformer that makes them worse but have gotten great results with 'em just not as good. Receive mail from us on behalf of our trusted partners or sponsors? This provides greater control and helps the user take advantage of proximity effect. Assuming you’re using a dynamic microphone such as a Shure SM57, here are some general rules and guidelines to keep in mind: * The closer you move the mic to the center of the speaker, the brighter and more present it will sound. Bass is, in many ways, quite a unique instrument. I tend to grab either the SM7b or i5 for close micing guitar cabs. More "snare" sound. If you want to level up a notch and have more than one speaker and one microphone, you can mic up each speaker and record them to separate tracks. We could talk for days about choosing microphones for different applications — if you have a choice, practically any dynamic microphone is a good place to start when miking a guitar amp. Cort Guitars unveils the affordable, all-solid OC-Core Collection, Mark Tremonti names the hardest Alter Bridge song to play, Orianthi can’t watch her viral Voodoo Child cover: “I hated my tone – it was just f**king awful!”, ESP raises over $47k at Metallica's All Within My Hands Foundation Concert and Auction, Black Stone Cherry: “You never want two guitarists who are competing with each other. above rim of top head of drum. In certain applications (such as close-miking drums) an audible rattle might occur. Prior to joining the group in 2001, Joel was a fixture in the Atlanta music scene playing in local bands and working part time as a guitar-tech for various artists, including Steve Winwood.